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		<title>How to handle rejection</title>
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		<dc:creator><![CDATA[Violetta Lazin]]></dc:creator>
		<pubDate>Mon, 03 Feb 2020 13:31:14 +0000</pubDate>
				<category><![CDATA[Auditions]]></category>
		<category><![CDATA[rejection]]></category>
		<category><![CDATA[singing]]></category>
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					<description><![CDATA[Rejection never feels good. However, you can make it work for you, learn how to overcome it and leave it in the past.]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section_0 et_pb_section et_section_regular et_block_section"><div class="et_pb_row_0 et_pb_row et_block_row"><div class="et_pb_column_0 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_text_0 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p>Art students often have a big misconception about the industry they are (hopefully) soon to become a part of. The romantic idea of the starving artist often plays into it. Very few people actually know what kind of a harsh world they are about to step into and regrettably very few schools, on the old continent at least, do little to nothing about educating their students about it.</p>
<p><strong>Auditioning training</strong>, understanding the profession, <em>Lunch&amp;Learn</em>, music technology are only some of the subjects students have on the curriculums during their study in the USA to better prepare them for the challenges they are about to face. Times are changing in every industry with rapid speed and it costs unaware young art professionals considerable amounts of time and money to adjust to it. Many discouraged, talented people quit the race too soon, unable to navigate their carriers into the desired direction.</p>
<p>Auditioning training is there to teach some sensible things on <em>how to prepare for your audition</em>: what to (or NOT to) wear, coping with nerves and similar things we have covered in <a href="https://maroon-hamster-564806.hostingersite.com/how-to-audition-successfully/">another article</a><em>.</em></p>
<p><em></em></p>
<p>The next thing on your list of skills you absolutely must acquire is:</p>
<h2>How to handle rejection.</h2>
<p>&nbsp;</p>
</div></div></div></div></div><div class="et_pb_section_1 et_pb_section et_section_regular et_block_section"><div class="et_pb_row_1 et_pb_row et_block_row"><div class="et_pb_column_1 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_text_1 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><span style="font-weight: 400;">Rejection is not easy and it often feels similar to a romantic heartbreak, but the moment you become a part of the professional, working landscape, you have to acknowledge and <strong>prepare yourself for rejection</strong>. </span></p>
<p><span style="font-weight: 400;">Every successful professional in any field of work has had to learn how to handle rejection and as a performing artist, I assure you, you will get your fair share of those. The real world isn’t a place for the weak. You can’t curl up in a ball every time you get rejected. Actually , you can, but you can’t </span><i><span style="font-weight: 400;">stay </span></i><span style="font-weight: 400;">curled up. </span></p>
<p><span style="font-weight: 400;">Rejection never feels good. However, <strong>you can make it work for you</strong>, learn how to overcome it and leave it in the past.</span></p>
</div></div></div></div></div><div class="et_pb_section_2 et_pb_section et_section_regular et_block_section"><div class="et_pb_row_2 et_pb_row et_block_row"><div class="et_pb_column_2 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_text_2 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h3>Fight or flight</h3>
<p><span style="font-weight: 400;">First order of business: </span><b>Don’t do anything rash!</b></p>
<p><span style="font-weight: 400;">The most common first reaction to rejection is a <em>fight or flight</em> response but, trust me, you don’t want to do either. </span><i><span style="font-weight: 400;">Lashing out</span></i><span style="font-weight: 400;"> in an angry email phone call or tweet you will regret as soon as you calm down might not only be unprofessional but it will also cut your chances of getting called back for another audition or hired by that company to zero. While </span><i><span style="font-weight: 400;">ignoring the hurt</span></i><span style="font-weight: 400;"> you feel will most likely make you lash out at someone close to you or indulge in some sort of (mildly) self-destructing behaviour...or both. So instead of doing any of those things: <b>Acknowledge your emotions and give yourself a moment</b><span>, a night or week(end) </span><b>to heal</b><span>. Let yourself be disappointed, embarrassed, angry, teary-eyed, whatever. </span></span></p>
</div></div><div class="et_pb_text_3 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h3>Rejection does NOT equal shame</h3>
<p>You’ll probably want to talk to someone about the rejection at some point. Try to choose a person you trust who can understand what you’re going through. A trusted friend, a teacher, colleague, parent … someone who has earned a right to hear your story.</p>
<p>This is your first step toward dealing with the reality of the situation. You were rejected. It feels terrible, so allow yourself to feel terrible and then:</p>
</div></div></div></div><div class="et_pb_row_3 et_pb_row et_block_row"><div class="et_pb_column_3 et_pb_column et_pb_column_3_5 et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_text_4 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><blockquote>
<p><strong>“Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.” </strong></p>
<p><strong>Samuel Beckett</strong></p>
</blockquote>
</div></div></div><div class="et_pb_column_4 et_pb_column et_pb_column_2_5 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_image_0 et_pb_image et_pb_module et_block_module"><span class="et_pb_image_wrap"><img decoding="async" src="https://maroon-hamster-564806.hostingersite.com/wp-content/uploads/2020/02/Giovanni_Martinelli-How-to-handle-rejection.svg" /></span></div></div></div></div><div class="et_pb_section_3 et_pb_section et_section_regular et_block_section"><div class="et_pb_row_4 et_pb_row et_block_row"><div class="et_pb_column_5 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_text_5 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><p><span style="font-weight: 400;">It’s kind of like working a muscle – the more you use it, the stronger it gets. If you put weeks and weeks between each training session, though, you’ll have to start from zero every single time. <strong>Don’t do that to yourself</strong>. Prove that you can try again and succeed, or that you can try again and fail and still survive. It’s like exposure therapy for artists. </span></p>
<p><span style="font-weight: 400;">Once you are ready to try again here are some things that can help on the way: </span></p>
<p><span style="text-decoration: underline;"><strong><i>Realize what rejection is </i>NOT:</strong></span></p>
</div></div></div></div></div><div class="et_pb_section_4 et_pb_section et_section_regular et_block_section"><div class="et_pb_row_5 et_pb_row et_block_row"><div class="et_pb_column_6 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_text_6 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_center"><div class="et_pb_text_inner"><p>Rejection is not a commentary on your self-worth or value as a person. It’s not a definition of who you are or what you’re lacking.</p>
<p>It’s SIMPLY one person or company saying, “You’re not a match for me.”</p>
</div></div></div></div></div><div class="et_pb_section_5 et_pb_section et_section_regular et_block_section"><div class="et_pb_row_6 et_pb_row et_block_row"><div class="et_pb_column_7 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_text_7 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h3><span style="font-weight: 400;">Fight your instinct</span></h3>
<p><span style="font-weight: 400;">The most common first reaction of an artist getting rejected is: "<em>I’m shit, no wonder I didn’t get it</em>", but in truth that might actually be <strong>the very last reason</strong>. They might be looking for something very specific that is not specified on the audition notice. Something they are hoping to find but are not sure they can get if they narrow the pool of people auditioning. Silly things we might never think of as singers. </span></p>
<p><span style="font-weight: 400;">They prefer a certain type, certain height that suits other members of the cast, certain built that can fit in the costume of a person who did the role before (to minimize the costs), someone who is local (to minimize travel and accommodation costs); you reminded someone on the panel of their much-hated ex and they disregarded you because of it (like it or not, that happens too), another agency negotiated better for their candidate, you have too much experience for a small role, you have not enough experience for certain role…. </span></p>
<p><span style="font-weight: 400;">Possibilities are endless, some of them are not exactly fair but the fact remains: we are all human no matter on which side of the panel we might be and there are many pieces of the puzzle that need to be accommodated to make any production, not all of which are favorable to all artists. The panel judging you really <strong>wants to find their ideal person</strong>: their views on what and who that person is and how they handle the audition on their side will differ from person to person and definitely from panel to panel.</span></p>
</div></div></div></div></div><div class="et_pb_section_6 et_pb_section et_section_regular et_block_section"><div class="et_pb_row_7 et_pb_row et_block_row"><div class="et_pb_column_8 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_text_8 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h3><span style="font-weight: 400;">Use rejection to your advantage</span></h3>
<p><span style="font-weight: 400;">So, once you made peace with the fact that <strong>getting rejected is not a personal attack on your self-worth</strong>, you are ready to refine your approach to the next audition by:</span></p>
<ul style="line-height: 1.7em;">
<li style="font-weight: 400; padding-bottom: 20px;"><b><i>Figuring out what the rejection got </i></b><b>right</b><b><i>.</i></b><span style="font-weight: 400;"> This is one of the hardest steps to take when you’ve been rejected by a professional contact. Even if you think they’re wrong and out of line, ask yourself, “<em>What are they most right about?</em>” </span><strong><i>Most</i></strong><span style="font-weight: 400;"> right. Not completely right. What’s the part of the rejection that makes sense to you, even if it’s a microscopic bit of sense. Whatever it is, face it. You’ve probably thought the same thing about yourself but ignored it. Now is the perfect time to <strong><em>accept it and work on it</em></strong>.</span></li>
<li style="font-weight: 400; padding-bottom: 20px;"><b><i>Play into your strengths.</i></b><span style="font-weight: 400;"> You may have been rejected because you’re not playing to your strengths. <strong>Make a list of the things you enjoy doing and the things you do well</strong>, and figure out where interests and skills overlap. Focus on those things – you made them happen, and it wasn’t accidental. Take something you’ve done well in the past and level up – take a risk that’s built on the back of past success.</span></li>
<li style="font-weight: 400; padding-bottom: 20px;"><b><i>There’s a lot in your professional life to be grateful for.</i></b><span style="font-weight: 400;"> You can make a list of your accomplishments, no matter how small. When did you succeed and receive good feedback?</span></li>
<li style="font-weight: 400; padding-bottom: 20px;"><b>Be pragmatic.</b><span style="font-weight: 400;"> Rejection is a possibility every time you do something new. Acknowledge that rejection is a possibility. So is success. Accept those inevitabilities, then move forward to find out what happens. Also “put all eggs in one basket” by investing all your hopes in one audition. After one is done, work on getting more and learn how to move on in your mindset while waiting for the answer from one and preparing for the next.</span></li>
</ul>
<p><b>Confront your fears. </b><span style="font-weight: 400;">Ask yourself what you’re so afraid of. Think about the worst-case scenario. Is that something you can’t deal with? The perceived threat loses some of its power once you put it into perspective.</span></p>
</div></div></div></div></div><div class="et_pb_section_7 et_pb_section et_section_regular et_block_section"><div class="et_pb_row_8 et_pb_row et_block_row"><div class="et_pb_column_9 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_text_9 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module"><div class="et_pb_text_inner"><h3><span style="font-weight: 400;">Last but not least:</span></h3>
<p><span style="font-weight: 400;"></span></p>
<p>Whether you’re afraid of it or not, rejection is going to happen. Your energy can go toward being terrified of it and trying to avoid it, or it can go toward <span style="text-decoration: underline;"><strong><em>facing it</em></strong></span>, <strong><span style="text-decoration: underline;"><em>embracing it</em></span></strong> and <span style="text-decoration: underline;"><strong><em>improving yourself</em></strong></span>. Rejection won’t stop coming if you continue to move upwards, but you’ll get better at bouncing back.</p>
<p>What is your experience? Do you have any extra tip? Let me know in the comments below!</p>
</div></div></div></div></div><div class="et_pb_section_8 et_pb_section et_section_regular et_block_section"><div class="et_pb_row_9 et_pb_row et_block_row"><div class="et_pb_column_10 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough"><div class="et_pb_team_member_0 et_pb_team_member et_pb_bg_layout_light et_pb_module et_block_module author-box"><div class="et_pb_team_member_image et-waypoint et_pb_animation_fade_in"><img decoding="async" src="https://maroon-hamster-564806.hostingersite.com/wp-content/uploads/2015/12/vlazin1.jpg" alt="About the author: Violetta Lazin" /></div><div class="et_pb_team_member_description"><h4 class="et_pb_module_header">About the author: Violetta Lazin</h4><p class="et_pb_member_position">Soprano</p><div class="et_pb_team_member_description_content"><p><a href="http://www.violettalazin.com/" target="_blank" rel="noopener noreferrer">Violetta Lazin</a>, soprano, is a former student of the McCray Studio. Violetta lives in The Hague, Netherlands and is the co-founder and Artistic Director of <a href="https://www.artaxmusic.com" target="_blank" rel="noopener noreferrer">ARTax Music</a>.</p>
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